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PostSubject: Re: Strike Back articles   Strike Back articles - Page 2 EmptyFri Oct 05, 2012 1:31 am

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PostSubject: Re: Strike Back articles   Strike Back articles - Page 2 EmptySun Mar 10, 2013 1:56 am


TV Makes A Killing With Violent Content, Study Shows

February 27, 2013 | 9:33 p.m. PST

As the debate surrounding the impact of violent screen culture on behavior continues, more and more information about the sheer amount of violent content on television is being published. A recent study, commissioned by funeralwise.com, one of the leading funerary information sites on the Internet, declared that there was a 12% increase in number of deaths in comparison to the previous year's study.

The results

In order to conduct the study, researchers chose 40 broadcast and cable shows from the Fall 2012 television season to examine, randomly picking eight episodes from each and having watchers count the number of dead bodies visible onscreen in each episode. Bodies that were shown twice in one episode were not counted twice, and viewers also catalogued whether the bodies were "human" or "non-human", the method of death (if available) and the gender of the victim (although non-humans were considered genderless in the study).

While AMC's "The Walking Dead" was (unsurprisingly) the deadliest show, 91% of the dead bodies were those of zombies—who were not considered "dead" until they were well and truly dead, rather than "living" dead or undead. The show averaged 38 bodies per episode. CINEMAX's "Strike Back" was the second deadliest (averaging 26 deaths per episode), followed by NBC's "Revolution" with 11 deaths per episodes. Both "Revolution" and "Strike Back" had solely human victims. These top three deadliest shows averaged 25 bodies per episode, and 598 dead bodies overall, comprising 40% of total body count over the course of the study.

The Fall 2011 study, published in May, had the Starz show "Spartacus: Vengeance" as the season's deadliest show with 25 bodies per episode, followed by "Game of Thrones'" 14 bodies per episode.

According to the results, the most violent genre is science fiction/fantasy, seconded by action/adventure shows. While "Once Upon a Time" may have an innocent-enough premise of storybook and fairy tale characters brought to life in a Maine town, it features in the top ten bloodiest shows, with 40 deaths over the course of the study, approximately five per episode. And that was just the bottom of the top ten—science fiction and fantasy shows such as "Fringe" and "Supernatural" had 54 and 57.5 deaths per episode. It should be noted, however, that the action/adventure genre featured almost entirely of human victims, whereas the science fiction shows had many more non-human bodies shown onscreen.

Women were also generally safer for these genres, whereas horror/suspense and crime/courtroom dramas featured the highest number of female victims.

Of the genres examined, horror shows were actually the least likely to feature dead bodies. I'm sure psychological suspense is much more terrifying when the victims are alive than dead, although I'm not too keen on either. The second least likely genre to feature the dead was period drama. Well, no. "Downton Abbey" isn't exactly known for its high body count, although writers are awfully fond of setting their shows during wartime, which could be the reason the genre places second-to-last.

And beware of bullets—the study shows that 44% of the onscreen dead bodies were killed by gunshots. Gentlemen, take care: 52% of male deaths were caused by gunfire. Although gunshots were the most prevalent for both genders, women were almost three times more likely to be killed by beatings and/or strangulation than their male counterparts, and slightly more likely to killed by knives or blades. The undead and non-human victims were much more likely to be killed by blade-weapons rather than gunfire, though. You can't shoot a vampire. I don't think.

And as for memorialization of the victims (after all, this study was commissioned by a funeral info site), only 11 deaths were commemorated over all, with two on "Sons of Anarchy". Interestingly, "Supernatural" only was featured once, but I suppose that "burning a bones in a grave" doesn't quite cut it for "commemoration".

So what does it mean?

Well, according to the study, TV is quite simply getting bloodier.

Research has seemed to indicate that we, as a collected viewing audience and as a society, have become more and more desensitized to violence in our media. We simply don't get the same "emotional charge" from violence as audiences in the past. Audiences in general have simply grown accustomed to gratuitous violence, blood and gore, and so Hollywood must continue to up the violence to receive reactions. Viewers may not be impressed (disgusted, interested, choose your pick) by a single body anymore. We just want more, and so Hollywood supplies it, furthering the trend.

Many of the bodies displayed onscreen were nameless extras, humanoid monsters or background characters. While these deaths certainly had the penchant to be gruesome, they lacked much of the emotional weight that deaths of main characters naturally carry.

The study also did not add greater weight to bloodier or more brutal deaths in comparison to less grisly or horrific deaths. While the average episode of "Criminal Minds" may feature "only" one or two bodies, the content of the show itself is generally psychologically horrifying. "American Horror Story: Asylum" might not have been in the top ten, but it's considered to be one of the scariest shows on television.

Many would say that "The Walking Dead" may have the highest overall death count, but because most bodies are zombies', they don't have the same impact of killing even nameless human characters.

However, it should also be noted that the deadliest show is also one of the most popular on television. The fall portion of "The Walking Dead's" season three had nearly 11 million viewers. In addition, AMC is no stranger to featuring gratuitous, brutal violence. "Breaking Bad" may not have the highest body count, but some of the deaths on the show have been absolutely gory, sometimes played off for darkly comic effect. In fact, according to this list, within the top 20 most popular IMDB titles, seven are considered in the top ten most violent shows of the past season.

"Sons of Anarchy", noted for its brutal onscreen violence, does not feature into the top ten either, although it too has some of the ghastliest content on television. While "The Sopranos" may have been revolutionarily violent for its not-so-bygone era, it pales in comparison to the kinds of death on television today. Six-episode story arcs no longer lead up to characters' deaths. Main characters are wiped out with a blink of an eye and hardly commemorated.

Season two of "Game of Thrones" featured a total of 183 minutes of death, not even including any devastating injuries that may have occurred, and yet it is one of the most highly anticipated returning shows of the spring—in spite of the fact that an enormous battle is set to occur this season that will surely up its death count even more.

So why do we watch it? What's the point of seeing (sometimes needless) violence onscreen?

In his attempt to discover the reasonings behind the appeal to violent media, Purdue professor and mass media effects researcher Dr. Glenn Sparks concluded that the draw was based in three basic reasonings. The first relates to the sensory appeal.

On one hand, some people like to have the dickens scared out of them. Violence frightens us. It speeds up our heart rates, makes us sweat and reel. Some people like to feel sensations and they like it when their shows excite them. We simply enjoy the sensations we feel when viewing destruction, death and gore. We like the way watching violent entertainment (not necessarily of the violent sort—consider wrestling and mixed martial arts tournaments) makes us feel, even if we aren't participating.

The second could be that audiences don't necessarily care much about the violence at all. It should be noted that these shows generally have fairly interesting accompanying writing, good casts and developed characters. Generally, viewers aren't drawn to the shows solely because they're violent, although that certainly is one aspect that interests us. They simply enjoy the plots, characters and themes in the show; they experience some pleasure from watching the interactions between aspects of the shows and the violence depicted. We like it when bad characters "get what's coming to them"; we like it when our favorites win and disliked characters suffer.

Thirdly, perhaps violent content tends to go hand-in-hand with other aspects that viewers enjoy. Sexuality, suspense, rather than violence, tend to be the main draws. After all, people are more likely to watch an R-rated movie than they are a PG-13 movie, even if the movie has the same basic content. It's more enticing for audiences, overall, to see the "bad" content (violence, sexuality—generally, if it's forbidden or restricted, it just makes us want to see it more).

Sparks' three theories are just that: theories. In order to better understand the appeal of violent media and the reasonings behind it, as well its effects on behavior and attitude, more research must be done. We can't yet conclusively say that violence in television is good or bad. Correlation does not equal causality: we cannot create tenuous links between what people see on screen and how they act in real life.

Until then, I suppose, we just sit back and enjoy the show—bloody as it may be.
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PostSubject: Re: Strike Back articles   Strike Back articles - Page 2 EmptyThu Mar 14, 2013 5:17 pm

Ready for season 4 (3 usa)? Very Happy Very Happy Very Happy Very Happy


Cinemax’s Strike Back, a co-production with Britain’s Sky Broadcasting that follows a super-secret branch of British Secret Intelligence, is gearing up for its next season this summer — and it’s adding some new faces.

The third season will include a new member of Section 20 with the addition of Robson Green, Dougray Scott as a rogue operative, and Milauna Jackson as “a key player who crosses paths with the counterterrorism team.” It’ll follow Section 20’s pursuit of a terrorist network that spans Colombia, Beirut, and Europe. (Philip Winchester and Sullivan Stapleton’s Sgts. Michael Stonebridge and Damien Scott, around whose smoldering partnership the show revolves, are of course back and ready for more action.)
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PostSubject: Re: Strike Back articles   Strike Back articles - Page 2 EmptyFri Nov 01, 2013 11:56 pm


7.62 Reasons To Watch ‘Strike Back’

I recently discovered the show Strike Back on Cinemax. I think it’s awesome. I think you should watch it. Here’s why.

1. It Accurately Depicts The Ratio Of Trigger Pullers To Support Personnel

The show follows Michael Stonebridge (former SAS) and Damien Scott (former Delta) as they fight terrorism and celibacy around the globe. With a few exceptions, they’re the only good guy shooters we see. The rest of Section 20, a secretive unit which is part of “British Intelligence,” is composed of people who wear Multicam and stare at computer screens. The ratio of shooters to support people – some of whom we come to know well and some we only see briefly – is about five or eight to one. Compare this to “The Unit,” a show where seemingly everyone was either a steely-eyed killer or their wife, and you’ll see that this show has at least a small bit of realism.

2. Some (Not All) Of The Tactics Used Make Sense

While some of the decisions made by Stonebridge and Scott make me shake my fist at the TV, other things make it pretty clear that they went through some decent training before the show. They communicate really well, for one. Whether they’re moving through a building or one of them needs to reload, they use clear and appropriate terminology for the situation. Also, they do a pretty good job of covering while the other moves. Not that they have much of a choice, because there are only two of them, after all. It also helps that the pair are always teamed up against the most poorly trained soldiers, henchmen, terrorists and militia on the planet.

3. The Ridiculous Parts Of The Plot Are Mostly Forgivable

Section 20 has amazing real-time satellite coverage and communication capabilities. Stonebridge and Scott need only earpieces or microphones the size and shape of dog tags to communicate with their base camp, which might be in another country or on another continent, and they never need a power source for their comm gear. Unless it’s necessary due to a plot point, their satellite coverage (visual and infrared) and comms never fail. I find myself able to forgive this for the most part simply because it’s so ridiculous. If it was just mostly accurate with a few glaring errors, I’d probably have much more to complain about.

4. There Are Lots Of Attractive Women, And Many Of Them Take Their Clothes Off, If You Like That Sort Of Thing

Damien Scott’s primary role in the unit is apparently to convince a lot of women to sleep with him. This unfortunately (or fortunately, if you like that sort of thing) results in his naked butt being prominently displayed in nearly every episode. On the other hand, more screen time is given to a bevy of attractive young women in various states of undress.

5. You Can Make A Fatal Drinking Game Out Of How Often Damien Drops The F-Bomb

That’s … pretty much it, actually. Damien might swear more than he shoots in some episodes. It adds to the hilarity and awesomeness of the show. Rob Curtis and I vowed to count how many times he dropped the F-bomb in every episode, but we kept losing track. (Ed. Note: See reason 4.)

6. There Are Strong Female Figures

Rather than serve only as eye candy, several women play vital roles in the show, including as commander of Section 20. They’re not afraid to get their hands dirty and/or bloody when necessary, and they don’t hesitate to make tough decisions.

7.62. It Has Vz.58s

While there are plenty of silly firearms such as M4s, AKs, MP5s, and so on, there are a good number of Vz.58s used in the show as well. I cringed when I saw one with a Magpul AFG attached, but it’s cool to see nonstandard firearms used in a show like this. You’ll also see oddball stuff like suppressed FALs and G3s. An AI AW makes an appearance, too, though under another name.


My only serious complaints about the show relate to the depiction of the US Military and PTSD – but so far, halfway through the third season, I’m able to put those complaints aside and enjoy the show.
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